Hi, I’m Megan.

So Much! Studios is me: one person doing all the things. Fifteen years of it!

This is the part of the site where I get to be less polished than a case study allows. Notes on what I’m building, what I’m learning, what didn’t work, and the occasional strong opinion about design systems or the latest Nickelback record. More of that soon.

But first, a funeral.

Here’s the thing about fifteen years of making stuff: not everything becomes a case study. Some of it was a one-off. Some got killed in round two. Some I just liked and never had anywhere to put.

So I made somewhere.

The B-Sides

Every record has them — the deep cuts that didn’t make the album but still slap. This is mine: logos that got vetoed, concepts that died in committee, experiments that went nowhere, and odds and ends I’m too fond of to bury completely.

Without further ado, here lies the good stuff that didn’t fit anywhere else.

Welcome Home Nikki Glaser?

Main title explorations for a Nikki Glaser show, inspired by Nikki's favorite: Taylor Swift.

Don't Be Chick'n

The direction changed, and then so did the entire business — which is a long way of saying nobody ever did sell the cluck out.

The Big Shot with Bethenny

I delivered the full graphics package on this one — these are just the looks that lost. Mention it all, I guess.

Larry Parker's

Larry's son set out to revive the Beverly Hills original.

Piccalilli

Long since rebranded, which was the right call. I maintain the moth was perfect.

Tasty Box

My logo design for a QSR pasta company funded by Lance Bass, which is a sentence I only get to write. Bye bye bye.